Ïîèñê ïî êàòàëîãó ïå÷àòíûõ èçäàíèé

Hawthorne .N., Tanglewood Tales — [s.a.]

Ìåñòîíàõîæäåíèå èçäàíèÿ: Çàë ëèòåðàòóðû íà èíîñòðàííûõ ÿçûêàõ

Ïîäðîáíàÿ èíôîðìàöèÿ

Êýíôèëä Ä., Êóðèíûé áóëüîí äëÿ äóøè. 101 èñòîðèÿ äëÿ ïðåêðàñíûõ è ëþáèìûõ æåíùèí — 2018 (Êóðèíûé áóëüîí äëÿ äóøè)

Óäèâèòåëüíàÿ êîëëåêöèÿ âäîõíîâëÿþùèõ èñòîðèé îò æåíùèí. Êàê îíè ëþáÿò è êàê ïåðåæèâàþò ïîòåðè, êàê æåðòâóþò ìíîãèì ðàäè ñåìüè è ñêîëüêî ðàäîñòè ïîëó÷àþò âçàìåí, êàê îíè ñòàðåþò è ñòàëêèâàþòñÿ ñ áîëåçíÿìè è êàê îíè ïðåêðàñíû è ñèëüíû. Ñòåéñè ðîäèëàñü íå òàêîé êàê âñå, íî ïîëó÷èëà îò æèçíè âñå, ÷òî õîòåëà. Êàêèå òðè ñåêðåòà ñ÷àñòüÿ ïîääåðæèâàëè ìàòü-îäèíî÷êó â ñàìûå òðóäíûå âðåìåíà. Äæîàí ïåðåæèëà â äåòñòâå íàñèëèå è íà÷àëà "çàåäàòü" âíóòðåííþþ áîëü. Àíäæåëà êàðäèíàëüíî èçìåíèëà æèçíü, íàó÷èâøèñü ãîâîðèòü "íåò". 1716 ïèñåì ïîíàäîáèëîñü Ëóèçå, ïðåæäå ÷åì ñîåäèíèòüñÿ ñ ëþáèìûì— Ýòè è äðóãèå 96 èñòîðèé òðîíóò âàøå ñåðäöå, çàñòàâÿò ñìåÿòüñÿ, ïëàêàòü è ñíîâà âëþáèòüñÿ â æèçíü

Ìåñòîíàõîæäåíèå èçäàíèÿ: Çàë õóäîæåñòâåííîé ëèòåðàòóðû è èñêóññòâà

Ïîäðîáíàÿ èíôîðìàöèÿ

Hawthorne N., The Scarlet Letter — 2017

Íàòàíèýëü Ãîòîðí - îäèí èç ïåðâûõ è íàèáîëåå îáùåïðèçíàííûõ ìàñòåðîâ àìåðèêàíñêîé ëèòåðàòóðû XIX âåêà, âíåñøèé âêëàä â ñòàíîâëåíèå êîðîòêîé ïðîçû

Ìåñòîíàõîæäåíèå èçäàíèÿ: Çàë ëèòåðàòóðû íà èíîñòðàííûõ ÿçûêàõ

Ïîäðîáíàÿ èíôîðìàöèÿ

Hawthorne N., The scarlet letter — 2016 (English. Classical literature)

"The Scarlet Letter: A Romance" is considered to be Hawthorne's "masterwork". Set in 17th-century Puritan Boston, it tells the story of Hester Prynne, who conceives a daughter through an affair and struggles to create a new life of repentance and dignity. Throughout the book, Hawthorne explores themes of legalism, sin, and guilt.

Ìåñòîíàõîæäåíèå èçäàíèÿ: Çàë ëèòåðàòóðû íà èíîñòðàííûõ ÿçûêàõ

Ïîäðîáíàÿ èíôîðìàöèÿ

Fifty Great American Short Stories — 2008

A brilliant, far-reaching collection of stories from Washington Irving to John Updike. The Classic Stories Edgar Allan Poe—s Ms. Found in a Bottle, Bret Harte—s The Outcasts of Poker Flat, Sherwood Anderson—s Death in the Woods, Stephen Vincent Ben™t—s By the Waters of Babylon The Great Writers Melville, James, Dreiser, Faulkner, Hemingway, Steinbeck, McCullers The Little-Known Masterpieces Edith Wharton—s The Dilettante, Finley Peter Dunne—s Mr. Dooley on the Popularity of Fireman, Charles M. Flandrau—s A Dead Issue, James Reid Parker—s The Archimandrite's Niece

Ïîäðîáíàÿ èíôîðìàöèÿ

Gothic Short Stories — 2006

This collection contains works by such writers as Poe, Hawthorne, Gaskell, Dickens and M. R. James, alongside that of anonymous authors from Britain to America. It brings together stories from the earliest decades of Gothic writing with later 19th and early 20th century tales.

Ìåñòîíàõîæäåíèå èçäàíèÿ: Çàë ëèòåðàòóðû íà èíîñòðàííûõ ÿçûêàõ

Ïîäðîáíàÿ èíôîðìàöèÿ

The Wordsworth Book of Horror Stories — 2004

...it is an universal phenomenon of our nature that the mournful, the fearful, even the horrible, allures with irresistible enchantment. - Chaucer Burr, Memoir, 1850. The Wordsworth Book of Horror Stories is a superb collection of some of the greatest tales of the genre, many are classics while others are lesser-known gems unearthed from this vintage era of the supernatural

Ìåñòîíàõîæäåíèå èçäàíèÿ: Çàë ëèòåðàòóðû íà èíîñòðàííûõ ÿçûêàõ

Ïîäðîáíàÿ èíôîðìàöèÿ

Four Great American Classics. [Collection] — 2004 (Bantam classic)

Presents four classic American stories, "The Scarlett Letter," "The Adventures of Huckleberry Finn," "The Red Badge of Courage," and "Billy Budd, sailor."

Ìåñòîíàõîæäåíèå èçäàíèÿ: Çàë ëèòåðàòóðû íà èíîñòðàííûõ ÿçûêàõ

Ïîäðîáíàÿ èíôîðìàöèÿ

Great American Short Stories — 2002 (Dover. Thrift. Editions)

Featuring 19 of the finest works in the American short-story tradition, this compilation includes: The Tell-Tale Heart by Edgar Allan Poe, Bartleby by Herman Melville, To Build a Fire by Jack London, Bernice Bobs Her Hair by F. Scott Fitzgerald, The Killers by Ernest Hemingway, plus stories by Hawthorne, Twain, Cather, and others

Ìåñòîíàõîæäåíèå èçäàíèÿ: Çàë ëèòåðàòóðû íà èíîñòðàííûõ ÿçûêàõ

Ïîäðîáíàÿ èíôîðìàöèÿ

Hawthorne N., The Scarlet Letter — 1994

This production closely follows Nathaniel Hawthorne's 1850 novel The Scarlet Letter. In Boston, shortly after its founding in 1630, the Puritan citizenry order Hester Prynne (Meg Foster), a beautiful young woman, to wear a scarlet letter "A" (signifying "adulteress") on her dress for life after she bears a child in the absence of her husband, who has delayed his trip to the New World to conclude business. Despite intense questioning, Hester refuses to identify the father, Arthur Dimmesdale (John Heard), a respected minister who cannot muster the courage to acknowledge his sin in public.

Ìåñòîíàõîæäåíèå èçäàíèÿ: Çàë ëèòåðàòóðû íà èíîñòðàííûõ ÿçûêàõ

Ïîäðîáíàÿ èíôîðìàöèÿ

The Birth of Science in Fiction. The Best Science Fiction of the 19th Century — 1991

As enjoyable as it is edifying.Even longtime readers in the field may make some happy discovers.

Ìåñòîíàõîæäåíèå èçäàíèÿ: Çàë ëèòåðàòóðû íà èíîñòðàííûõ ÿçûêàõ

Ïîäðîáíàÿ èíôîðìàöèÿ

Àìåðèêàíñêèé êðèòè÷åñêèé î÷åðê — 1981

Çàäà÷à íàñòîÿùåãî ñáîðíèêà-ïîçíàêîìèòü ÷èòàòåëÿ ñ ëó÷øèìè îáðàçöàìè òâîð÷åñòâà àìåðèêàíñêèõ êðèòèêîâ è ëèòåðàòóðîâåäîâ,à òàêæå ïèñàòåëåé,âûñòóïàâøèõ â ðîëè êðèòèêîâ,çà äâà ñòîëåòèÿ. Ñðåäè òåõ,êòî îïðåäåëÿë íàïðàâëåíèå àìåðèêàíñêîé ëèòåðàòóðíî-êðèòè÷åñêîé ìûñëè XIX âåêà-ïîýòû Ý.Ïî è Ó.Óèòìåí,ïðîçàèêè Í.Ãîòîðí è Ã.Äæåéìñ.Ñðåäè êðèòèêîâ ÕÕ âåêà,÷üè èäåè âíåñëè âêëàä â ñòàíîâëåíèå è ðàçâèòèå àìåðèêàíñêîé øêîëû ðåàëèçìà-Â.Â.Áðóêñ è Â.Ë.Ïàððèíãòîí,Ì.Ãàéñìàð è Ì.Êàóëè.Èçäàíèå ñîïðîâîæäàåòñÿ ïðåäèñëîâèåì,êîììåíòàðèÿìè è ïðåäíàçíà÷àåòñÿ òåì,êòî èíòåðåñóåòñÿ ïðîáëåìàìè èñòîðèè è òåîðèè çàðóáåæíîé êðèòèêè

Ìåñòîíàõîæäåíèå èçäàíèÿ: Çàë ëèòåðàòóðû íà èíîñòðàííûõ ÿçûêàõ

Ïîäðîáíàÿ èíôîðìàöèÿ

Nineteenth Century American Short Stories — 1978

Íîâåëëû, âêëþ÷åííûå â êíèãó, ïðåäñòàâëÿþò áîëüøîé èíòåðåñ äëÿ èçó÷åíèÿ àìåðèêàíñêîé ëèòåðàòóðû è àíãëèéñêîãî ÿçûêà â åãî àìåðèêàíñêîì âàðèàíòå. Ñáîðíèê ñíàáæåí ïðåäèñëîâèåì è êîììåíòàðèÿìè íà ðóññêîì ÿçûêå. Êíèãà ðàññ÷èòàíà íà ñòóäåíòîâ óíèâåðñèòåòîâ è èíñòèòóòîâ èíîñòðàííûõ ÿçûêîâ, íà âñåõ, èçó÷àþùèõ àíãëèéñêèé ÿçûê è èíòåðåñóþùèõñÿ àìåðèêàíñêîé ëèòåðàòóðîé.

Ìåñòîíàõîæäåíèå èçäàíèÿ: Çàë ëèòåðàòóðû íà èíîñòðàííûõ ÿçûêàõ

Ïîäðîáíàÿ èíôîðìàöèÿ

Irving W., Dolph Heyliger — 1978

 ñáîðíèê âõîäÿò ïðîèçâåäåíèÿ êðóïíåéøèõ àìåðèêàíñêèõ ïèñàòåëåé-ðîìàíòèêîâ Â. Èðâèíãà, Í. Ãîòîðíà, Ý. Ïî, Ã. Ìåëâèëëà, ñîçäàííûå â ïåðâîé ïîëîâèíå XIX âåêà. Ïðè âñåé ñâîåé èíäèâèäóàëüíîé íåïîâòîðèìîñòè îíè âîïëîòèëè â ñåáå ÷åðòû, ïðèñóùèå àìåðèêàíñêîìó ðîìàíòèçìó â öåëîì: êðèòèêó ñêëàäûâàþùèõñÿ áóðæóàçíûõ îáùåñòâåííûõ îòíîøåíèé, îñòðîå îùóùåíèå òðàãè÷åñêèõ ïðîòèâîðå÷èé àìåðèêàíñêîãî îáðàçà æèçíè.

Ñîäåðæàíèå: Dolph Heyliger; Endicott and the Red Cross; My Kinsman Major Molineux; The Great Stone Face; Mr.Higginbotham's Catastrophe; The Fall of the House of Usher; The Gold Bug; Benito Cereno.

Ìåñòîíàõîæäåíèå èçäàíèÿ: Çàë ëèòåðàòóðû íà èíîñòðàííûõ ÿçûêàõ

Ïîäðîáíàÿ èíôîðìàöèÿ

50 Great American Short Stories — 1972

A brilliant,far-reaching collection of stories from Washington Irving to John Updike

Ìåñòîíàõîæäåíèå èçäàíèÿ: Çàë ëèòåðàòóðû íà èíîñòðàííûõ ÿçûêàõ

Ïîäðîáíàÿ èíôîðìàöèÿ

Adventures in American Literature — 1938

This new edition of Adventures in American Literature is one of five books which make up the ADVENTURES series for the senior high school. The editors have put their best thought and effort into this revision. They have consulted numerous teachers who have been teaching the text, and have received many valuable suggestions as to pruming weakness and preserving strength

Ìåñòîíàõîæäåíèå èçäàíèÿ: Çàë ëèòåðàòóðû íà èíîñòðàííûõ ÿçûêàõ

Ïîäðîáíàÿ èíôîðìàöèÿ

Hawthorne N., The Scarlet Letter — 2008 (Oxford Bookworms Library. Classics. Stage 4 (1400 headwoords))

Scarlet is the colour of sin, and the letter 'A' stands for 'Adultery'. In the 1600s, in Boston, Massachusetts, love was allowed only between a husband and a wife. A child born outside marriage was a child of sin. Hester Prynne must wear the scarlet letter on her dress for the rest of her life. How can she ever escape from this public shame? What will happen to her child, growing up in the shadow of the scarlet letter? The future holds no joy for Hester Prynne. And what will happen to her sinful lover - the father of her child?

Ìåñòîíàõîæäåíèå èçäàíèÿ: Çàë ëèòåðàòóðû íà èíîñòðàííûõ ÿçûêàõ

Ïîäðîáíàÿ èíôîðìàöèÿ

Ëó÷øèå ïðîèçâåäåíèÿ íà àíãëèéñêîì ÿçûêå — 2005-2010 (Àóäèîêíèãà)

Âàì ïðåäîñòàâëÿåòñÿ âîçìîæíîñòü ïðîñëóøàòü ëó÷øèå ïðîèçâåäåíèÿ âñåìèðíî èçâåñòíûõ ïèñàòåëåé â âåëèêîëåïíîì èñïîëíåíèè íîñèòåëåé ÿçûêà. Äèñê àäðåñîâàí øèðîêîé àóäèòîðèè: ñòóäåíòàì, ïðåïîäàâàòåëÿì, à òàêæå âñåì, êòî æåëàåò ðàñøèðèòü çíàíèå àíãëèéñêîãî ÿçûêà. Ïðîèçâåäåíèÿ àäàïòèðîâàíû äëÿ ñëóøàòåëåé, âëàäåþùèõ ÿçûêîì íà óðîâíå Intermediate. Äèñê ñîäåðæèò òàêæå òåêñòîâûå âåðñèè ðàññêàçîâ è èõ ïåðåâîäû íà ðóññêèé ÿçûê.

Ñîäåðæàíèå: Àëèñà â ñòðàíå ÷óäåñ; Ðàññêàçû îá îòöå Áðàóíå; Êëàññè÷åñêèå àíãëèéñêèå ðàññêàçû; Àíãëèéñêèå ðàññêàçû î ëþáâè; Êëàññè÷åñêèå àìåðèêàíñêèå íîâåëëû; Êëàññè÷åñêèé àìåðèêàíñêèé äåòåêòèâ

Ìåñòîíàõîæäåíèå èçäàíèÿ: Çàë ëèòåðàòóðû íà èíîñòðàííûõ ÿçûêàõ

Ïîäðîáíàÿ èíôîðìàöèÿ

Hawthorne N., The Scarlet Letter — 2010 (Collins Classics)

HarperCollins is pround to present its new range of best-loved, essential classics. 'Ah, but let her cover the mark as she will, the pang of it will be always in her heart.' A tale of sin, punishment and atonement, The Scarlet Letter exposes the moral rigidity of a 17th-Century Puritan New England community when faced with the illegitimate child of a young mother. Regarded as the first real heroine of American fiction, it is Hester Prynne's strength of character that resonates with the reader when her harsh sentence is cast. It is in her refusal to reveal the identity of the father in the face of her accusers that Hawthorne champions his heroine and berates the weakness of Society for attacking the innocent

Ìåñòîíàõîæäåíèå èçäàíèÿ: Çàë ëèòåðàòóðû íà èíîñòðàííûõ ÿçûêàõ

Ïîäðîáíàÿ èíôîðìàöèÿ

Nineteenth Century American Short Stories — 1970

Íîâåëëû, âêëþ÷åííûå â êíèãó, ïðåäñòàâëÿþò áîëüøîé èíòåðåñ äëÿ èçó÷åíèÿ àìåðèêàíñêîé ëèòåðàòóðû è àíãëèéñêîãî ÿçûêà â åãî àìåðèêàíñêîì âàðèàíòå. Ñáîðíèê ñíàáæåí ïðåäèñëîâèåì è êîììåíòàðèÿìè íà ðóññêîì ÿçûêå. Êíèãà ðàññ÷èòàíà íà ñòóäåíòîâ óíèâåðñèòåòîâ è èíñòèòóòîâ èíîñòðàííûõ ÿçûêîâ, íà âñåõ, èçó÷àþùèõ àíãëèéñêèé ÿçûê è èíòåðåñóþùèõñÿ àìåðèêàíñêîé ëèòåðàòóðîé.

Ìåñòîíàõîæäåíèå èçäàíèÿ: Çàë ëèòåðàòóðû íà èíîñòðàííûõ ÿçûêàõ

Ïîäðîáíàÿ èíôîðìàöèÿ